SAMPLE--NOT CURRENT
CRW 1300/2002
Writing Poetry & Advanced Poetry Workshop
"Making
the simple complicated is commonplace; making the complicated simple,
awesomely simple, that's creativity." (Charlie Mingus, jazz musician)
Please take the ONLINE ORIENTATION IMMEDIATELY
If you cannot access the BCC homepage, you can still access WEB CT via http://broward6.collegis.com/webct/entryPageIns.dowebct
|
|
|
Required Text: American Poetry Now, 2008
Warning: this course is not for everyone. You must be VERY familiar with the finer points of how to use a computer, downloading, uploading, attaching documents, creating directories and have both Internet access at home and Microsoft Word (or know how to save in *rtf ) on your computer. If you do not know what these things mean, then this course is NOT for you. For the most successful completion of this online course, it is recommended that you received no less than a B in your ENC 1101 course. If you have questions or need further information, please contact me. It is STRONGLY RECOMMENDED THAT YOU COME TO THE ORIENTATION, especially if you have not taken an online course before.. It is the only time we will meet in person.
| Methods of Instruction (how the class is run) |
|
| Course Description & General Outcomes |
|
| Course Schedule and Assignments | Student Success Tips |
Dr. Barbra Nightingale
Office: (954) 201-8873 69-219 (south campus)
Student writing as the basis for critical discussions with emphasis
on analysis for the elements of poetry. This class will meet the Gordon Rule Writing Requirement of 3,000 words upon successful completion of the course and researched term paper.I. Course Overview:
Upon successful completion of this course, the students should be able to employ poetic techniques.
II. Units:
Unit 1. Review of Basics
General Outcome:
1.0 The students should be able to identify the elements
of poetry covered in CRW 1001.
Specific Learning Outcomes:
Upon successful completion of this unit, the students
should be able to:
1.1 Use images that appeal to the five senses.
1.2 Explore the nature of poetry.COMMON COURSE NUMBER: CRW 2002
COURSE TITLE: Creative Writing Workshop II
CREDIT HOURS: 3
CONTACT HOURS BREAKDOWN:
Lecture/Discussion 48
1. Presentation of Work
2. Critique of Work of Other Class Members
3. Revision of Work
4. Marketing of Work
Note: If you are accessing this page through my personal web pages, the links below will not work. If you are accessing through WEB CT and are signed into my course already, the links should be functional.
Important Notice Starting fall 2007, faculty will report student non-attendance. If you stop attending class prior to the withdrawal date, you will be administratively withdrawn from class and receive a W or, if it is your third attempt, an F. If you stop attending class after the withdrawal date, you will receive a WF that will then be computed as an F in your GPA. To avoid this situation, you should remain an active learner in this class and always communicate extenuating circumstances to me. Ongoing communication with the instructor is critical to your course success.
Passing Grade in ENC 1101 (I recommend no less than a "B")
Computer Knowledge and Skills:
Course Hardware & Software Requirements
Students: To complete the online segments of this course, you must have access to computer hardware and software that meets or exceeds BCC's minimum hardware and software standards for e-learning courses. It is strongly recommended that you check your computer to verify that its hardware and software configuration meets or exceeds the BCC standard.
Internet access at home Microsoft Word American Poetry Now, 2008. You may also use poems from either the internet or from your own personal explorations.Students: This is a 3 credit hour course. Normally, a three credit hour summer course would meet five times each week for 1.25 hours (48 hours per term). See the Course Calendar within WebCT for specific dates and deadlines of all assignments. This is a labor intensive course, and there are daily deadlines to be adhered to. Students are responsible for regularly reviewing the course Calendar and Discusssion Board and completing all required class assignments. Since this class does not meet at all in the traditional sense, it is therefore all the more important that you keep apprised of your deadlines and post discussions in a timely manner. Not posting on time will be like an absence, since you are then not "participating" in the class discussion on a particular topic. The Discussions are meant to be read by all the students in the class, and hopefully a "back and forth" exchange will take place, much the same as it does in a traditional class. In this manner, you will read, discuss, and share your insights and opinions with the whole class.There are 12 assigned poems that you will be asked to write. You will have at least three days to write each poem, which will be known as "workshop days." Mondays and Wednesdays, new poems are assigned and they are due on Fridays and Mondays. Tuesdays would be a good day to work on your anthology and postings. Thursdays are "In class" (Online) Exercise days. This means that you must access the Online Exercise area, and begin each "quiz" within the allotted time frame. There is a limited time period in which you can access these exercises. If you miss the timeframe, then just as if you were in class and we had an exercise, and you were absent that day, you will not be able to participate.
You must post your poems by midnight on the day they are due. If you miss this deadline, your poems will NOT be commented on, by either ME or the class. (They will, however, be counted in the total you submit at the end of the term.) Each student must comment on the posted poems and ideally, you should comment on at least 90% of the all the posted poems (peer review). The deadline for posting your comments on others' poems is every Tuesday by 8 pm for the previous week's poems (in other words, Fridays and Mondays' postings need to be commented on by Tuesday the next week, by 8 pm.) They don't have to be elaborate comments, but you should say something more than "nice poem." There is a grade for this. (Specific instructions how to post comments are posted to the course under "Course Instructions" in the DISCUSSIONS area).
YOU CAN ALWAYS POST THINGS AHEAD OF TIME!!! POEMS OR COMMENTS!
Since this is a creative writing workshop-style class, dependent on peer review, it is imperative that you post your comments on each other's poems. I will, of course, give my feedback, but traditionally, I will not do so until everyone in the class posts his/her discussions on the particular subject. NO LATE DISCUSSIONS WILL BE DONE FOR ANY POEM. If you do not post the required poem on time, there will be no discussion allowed on it, as the topic will be locked.
Even though I know that it is not the case with many of you, I must treat each poet and poem as though your ultimate aim is to become a "poet." A published poet. My lessons are therefore, geared toward the writing of good poetry (what is publishable is strictly a matter of editor taste, need, and circumstance.) My comments will be geared toward the same end. Talent is an inherent trait, but everyone can be taught how to improve writing. This class will help to improve ALL your writing, not just poetry, by teaching you how to use language in a fresh and exciting way. I do hope that many of the poems you write here will be submitted to the college literary magazine, P'an Ku. It is the best place to get your first thrill of publication, or toughen you up for the first of many rejections.
This list does NOT represent WHEN specific assignments are due. Please see the Assignment LIST and CALENDAR for specific assignment instructions and due dates. The CALENDAR is an integral part of this syllabus and MUST BE referred to for deadlines! Some assignments are concurrent with other weeks (such as the Personal Anthology). Please note that I make calendar entries on Saturdays or Sundays so that the calendar is not cluttered. Also please note that often, there are TWO assignments listed under ONE calendar date. Be sure to check the date, not the LINK for additional information.
Course Assignments and Specific Learning Outcomes
|
Weeks :
|
Topics :
|
Learning Outcomes : |
| Week 1
|
Introduction Poetic techniques and terminology Specific assignments and exercises will be given within the course: (see assignment sheet for more details)
|
Types of Poetry General
Outcome:
|
| Week 2
|
Begin exploring the requirements for the Anthology.
|
|
| Week
3: |
Metaphor poem Specific assignments and exercises
Keep working on the anthology |
Imagery
in Poetry General Outcome: 3.0 The students should be able to employ imagery in poetry. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 3.1 Use concrete imagery. 3.2 Use central metaphors. 3.3 Use similes. 3.4 Use surrealism. 3.5 Use symbolism. 3.6 Use a mix of appropriate imagery. |
|
|
Sound in
Poetry General Outcome: 4.0 The students should be able to demonstrate an awareness of the types and uses of sound in poetry. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 4.1 Use rhyme - pure and slanted. 4.2 Use rhyme - feminine versus masculine. 4.3 Use rhyme - internal versus end. 4.4 Use rhyme - random versus regular. 4.5 Use assonance and consonance. 4.6 Use alliteration and onomatopoeia. 4.7 Recognize rhyme as enhancing rather than distracting. |
|
| Week 4
|
Rhythm in
Poetry General Outcome: 5.0 The students should be able to demonstrate an awareness of the types and uses of rhythm. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 5.1 Scan meter. 5.2 Contrast metrical substitutions and regularity. 5.3 Recognize cadenced rhythm. 5.4 Recognize syllabic rhythm. 5.5 Recognize rhythm as enhancing versus distracting. |
|
| Week 5
|
Form in Poetry General Outcome: 6.0 The students should be able to demonstrate an awareness of the types and uses of form. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 6.1 Recognize free verse. 6.2 Recognize short verse forms. 6.3 Recognize long verse forms. 6.4 Recognize concrete verse. 6.5 Recognize experimental verse. 6.6 Recognize performance verse. |
|
| Week 6
|
Specific assignments and exercises Keep working on the anthology |
Subjects
in Poetry General Outcome: 7.0 The students should be able to identify sources for poetry. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 7.1 Recreate emotional experiences. 7.2 Tap intellectual experiences and insights. 7.3 Use personal observation. 7.4 Recollect experiences suitable for poetic framing (memory). |
| Week 7
|
Class Exercise
Anthology is due |
Marketing Suggestions General Outcome: 8.0 The students should be able to demonstrate procedures for submitting poetry for publication. Specific Learning Outcomes: Upon successful completion of this unit, the students should be able to: 8.1 Study the market guides. 8.2 Study the market via the publications. 8.3 Use proper submission form. 8.4 Attend literary activities in area. |
| Special Student
Projects: 1. Participation in campus poetry readings. 2 Participation with the college literary magazine. 3 Possible portfolio of work ready for professional submission at end of term. |
PLAGIARISM: It has become necessary (unfortunately) to take a very hard line attitude toward intentional plagiarism (defined as turning in a paper not your own either from the internet or another source). All work must be the work of the student, and when material is borrowed in whatever form, it must be documented as borrowed. Any student who knowingly turns in a paper that is taken from somewhere other than his/her own brain and NOT documented as such, will automatically fail the entire course and be brought up on disciplinary charges with the administration (which usually leads to administrative withdrawal from BCC. PLEASE DO NOT RUN THE RISK OF BEING ONE OF THOSE STUDENTS!!!!
Grading Policy:
| Portfolio Grades |
Weights |
|
| 12
poems written & Revised= A |
|
Portfolio: 50% |
7-9
poems = B |
| Peer
Review: 25% |
3-6
poems = C |
Peer Review of 50-74% of posted poems = C | |
under
6 poems = D |
Peer Review of less than 50% = D
|
|
Return to Table of Contents
(The 12 poems written and revised will then be submitted as a portfolio at the end of the term)
Peer Review consists of the thoughtful and honest commentary that each student will make on each other's poems. Each of you will read the poem, download or copy it to your own document, make comments on it (Word has a wonderful tool for this called TRACK CHANGES), then copy and post it or upload it so that the poet and others can read your comments. This part represents 25% of your grade.
The term project is a personal anthology of at least 30 poems you have gathered from others that you like (See specific guidelines)
Since I cannot grade creative work by conventional grading standards, I do not give GRADES on the quality of the poems themselves. Instead, I grade based on the assignments being completed by the above scale. I do, however, grade anthology (discussed below) in letter grade format, and this represents 25% of your grade. I also grade the number of your peer reviews, and this is also 25% of your grade. Poor grades in either the term project or in the peer review areas can affect your final grade.
Since it is my wish to have this online course mimic as closely as possible the in class discussions that would take place in a traditional classroom, you will be graded on your discussion entries. I expect you to "talk" to each other as much as possible, interacting in a manner that is both proper and indicative of college level discourse. You will observe at all times the common rules of decency and avoid vulgar, racist, or otherwise insulting language; however, due to the nature of the course, and some of the selections herein, a discussion of how one feels when reading literature of this nature is entirely appropriate and of course, use of "quoted" language that might be objectionable is entirely in keeping with the purpose of discussion. In other words, use your head!
It also stands to reason, that since we communicate online, you must check your WebCT email regularly. Also, don't forget to keep your own calendar and mark down due dates.
Assorted Policies and Procedures
The instructor reserves the right to make changes to this syllabus. In the event that changes become necessary, students will be notified through WebCT Email.
Student Success Tips
- Students can and should form study groups whenever possible; however for this particular course, since there are no tests, it is not as necessary as it might be for other courses. I would prefer that you engage in lively discussion amongst yourselves via the discussion board.
- Tutoring Services are available in the LRC on your campus